Critical Acclaim
High Praise for Borrowed Fire, from
distinguished observers.. Borrowed Fire is exceptionally
helpful in teaching about the almost endless variety of Indian
theatre. It is especially useful in pointing out the multiple
forms that shadow puppetry has taken and above all is valuable
in preserving a form that is on the verge of extinction. The video
is given much added depth by including so fully the context in
which this particular form of shadow puppetry exists, giving it
a very human as well as artistic interest. Few of us would ever
have the opportunity to observe this particular dramatic form
and it seems a special blessing that it allows the viewer to enter
into the experience on so many levels. It contributes greatly
to an appreciation of the complexity of Indian theatre.
-Dr. Oscar G. Brockett, Theatre historian and Professor
Emeritus, Theatre History, The University of Texas at Austin.
Borrowed Fire is a clear and poetic documentation of
tol pava kuttu, the shadow theatre of Kerala, India. The film
communicates the cultural context of the theatre and documents
its changes in this generation. The camera work is visually pleasing
and the coverage deft. The video gives pertinent information on
the text, drawn from Kampan's twelfth-century Tamil version of
the Ramayana. It is admirable how concisely the story line is
conveyed in a few brief episodes from the complex epic. Overall
the film is an admirable accomplishment. This film offers a useful
insight into the shadow-puppet theatre of Kerala and will be of
interest to anyone interested in puppetry, Indian performing arts,
and social change in Kerala.
-Dr. Kathy Foley, Chair, Theatre, The University of California-Santa
Cruz, writing in The Asian Theatre Journal.
Borrowed Fire offers outsiders the opportunity to learn
about a traditional puppet performance in Kerala's Hindu temples,
which is in danger of disappearing after the current generation.
The informative film shows the passing on of this oral tradition,
its aging patrons and performers, and the palm manuscripts on
which its repertoire is written. Flat buffalo-hide puppets and
a special puppet house in temple compounds create a show which
few watch, but since it is for the gods, who are always in attendance
at the temple, the show goes on. The Ramayana, one of India's
major epics, is the basis for episodes performed over several
weeks year after year during temple festivals. Students of Indian
culture, traditional performance, puppetry, and artistic traditions
will especially appreciate this film, as will those interested
in Kerala's traditions and the interface between religion and
performance.
I have already asked our library to order the film, and will be
using it as the final exam film in my ethnographic films course
this semester.
-Dr. Joan Erdmann, Prof. of Anthropology, Columbia College,
Chicago, IL.
The production is of the highest quality and is very informative
about social conditions in Kerala. Because of the economic and
social circumstances in this lush and beautiful state, the traditions
of an ancient culture are being forever changed by the press of
modernity and global commerce--in Kerala's case, international
tourism. This video is a valuable document of that inevitable
change and what will probably be lost as a consequence. Capturing
on video what the live performer takes for granted is more difficult
than it seems. In this video, there is intimate footage of backstage
activities during performances and interviews with family/troupe
members about the survival of the troupe and the art."
-Dr. Robert Amsden, Chair, Theatre, Ripon College, WI.
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